20 Best Video Marketing Companies and Brand Video Agencies in 2026, by What You Get

Twenty video marketing companies and brand video agencies checked against their own sites in September 2026, sorted by what you actually get: a brand film, performance ads, social content, or the media behind them, with published prices, named clients and review depth for each.

Grid of twenty homepage screenshots from the video marketing companies and brand video agencies compared in this guide

“Video marketing company” hides two different businesses. One makes the film: a brand video agency with directors, crews and editors that hands you a master and stops. The other runs the marketing: a media-first or social-first agency that treats video as an input to paid campaigns, feeds and creator programmes. Very few do both well, and the wrong hire is expensive in either direction. So this list is sorted by what you get rather than by a fake ranking, and I checked all nineteen against their own sites, pricing pages and Clutch profiles in September 2026.

One disclosure first: I work at Moonb, and Moonb is the first entry, so hold our own entry to the same doubt you would give any self-review. The pure production studios that AI roundups keep recommending for this search, Sparkhouse, Lemonlight, Vidico, Superside, Demo Duck and the rest, live on our video production companies page, which is why they are not repeated here.

If you only want the short version:

  • Only four of the nineteen publish a price: LYFE Marketing (plans from $750 a month), Videodeck ($10,000 to $24,000 a month, or $5,000 a video), Consume Media (projects “typically start at approximately $10,000”) and Brafton (a $100-unit scheme without totals). Everyone else says “contact us,” and Clutch minimums run from $5,000 to a six-figure floor at Harmon Brothers.
  • Brand film first: Storyfarm, Colormatics, Early Light Media, Portal A, Consume Media and Harmon Brothers.
  • Marketing first: Brafton, VaynerMedia, MuteSix, Power Digital, Thrive, Sociallyin, The Social Shepherd, inBeat, Vidsy, Shuttlerock, Videodeck, Billo and LYFE.
  • Both the film and the media behind it: Colormatics, Harmon Brothers and, at enterprise scale, VaynerMedia.

What you are buying, in four columns

Every entry below carries four answers: does it make the film, does it make performance ads, does it run your social feeds, and does it buy the media. Read those before the client logos. A studio with McDonald’s on its homepage will not run your TikTok ads, and a paid-social shop with a great dashboard will not shoot a brand film. If you need both, plan for two vendors and the coordination between them, or pick one of the three that carries both.

The 20 best video marketing companies and brand video agencies

1. Moonb

Moonb homepage screenshot

We are first here and I am hardly neutral about it. Moonb is a dedicated creative team for marketing teams: video, motion and design from one group led by a Creative Director, on an ongoing monthly basis, so the film, the cutdowns and the social versions come from the people who made the brand work in the first place.

  • Best for: marketing teams that need video most weeks and want it consistent with the rest of their creative
  • What you get: brand film yes, ads and social versions yes, media buying no
  • Pricing: not published; a set monthly cost, or a per-project quote where the work calls for it
  • Clients they name: Dell, Toyota, Nestle
  • Review signal: 4.9 on Clutch
More on Moonb
Where it shines: one team makes all of your creative, so marketing video stays on brand and the second campaign starts where the first ended.
Where it falls short: we do not buy media, and for a single blockbuster brand film once a year the specialist film studios below go deeper on that one piece.

Not publicly stated: pricing.

2. Storyfarm

Storyfarm homepage screenshot

“We don’t just produce. We create with purpose. Strategy-first, story-led content that captures attention and earns trust.” Storyfarm is a Baltimore brand-film studio that sells production plus strategic consulting to marketing and communications leads, and leaves distribution with the client.

  • Best for: a brand film or campaign film with a strategy layer, for a company with its own media team
  • What you get: brand film yes, ads no, social no, media no
  • Pricing: not publicly stated
  • Clients they name: McDonald’s, Mastercard, Uber, Starbucks, Under Armour, SAP, Medtronic, Johns Hopkins
  • Review signal: 5.0 on Clutch from 19 reviews
More on Storyfarm
Where it shines: live action and animation under one roof, a perfect Clutch score, and the strongest enterprise roster among the film-first studios here.
Where it falls short: production and strategy only; there is no media buying, no social management and no published price.

Not publicly stated: prices, founding year on its own site.

3. Colormatics

Colormatics homepage screenshot

“Colormatics is a video-led creative agency. We believe ideas inspire stories and stories inspire culture.” From Austin and Spokane it makes brand films, commercials, animation and VFX, and, per its own site, it also plans and places the media, mainly TV, streaming and out-of-home.

  • Best for: a brand film or commercial that needs a broadcast or streaming media plan from the same team
  • What you get: brand film yes, ads yes, social no, media yes (TV, streaming, OOH)
  • Pricing: not publicly stated
  • Clients they name: Fiverr, Lemonade, The Macallan, Vanguard, Budweiser, American Express, Centrum, PrizePicks
  • Review signal: 4.9 on Clutch from 41 reviews
More on Colormatics
Where it shines: one of the three companies here that both makes the film and runs the media behind it, with a 4.9 on Clutch and a cost-to-value score of 4.7.
Where it falls short: the media it places is broadcast-shaped; it is not a social-growth shop, and its founding year and prices are not on the site.

Not publicly stated: prices, founding year.

4. Early Light Media

Early Light Media homepage screenshot

“We craft human stories through video production and animation.” Early Light is a ten-person documentary-style studio in Baltimore and Washington that makes brand films, commercials, corporate video and animation for a roster far larger than its headcount suggests.

  • Best for: documentary-style brand films and corporate storytelling with a small, senior crew
  • What you get: brand film yes, ads no, social no, media no
  • Pricing: not publicly stated
  • Clients they name: HBO Max, Pandora, Audi, Johns Hopkins, Discovery, Microsoft, Under Armour, National Geographic
  • Review signal: 23 Clutch reviews; the rating was not visible outside the platform
More on Early Light Media
Where it shines: human, documentary craft and livestream and post in-house, with media-brand clients that vet hard.
Where it falls short: no marketing or distribution services at all, and a team of about ten, so it is the wrong hire for always-on volume.

Not publicly stated: prices, Clutch rating off-platform.

5. Portal A

Portal A homepage screenshot

“A team of makers out to make the best content (not ads) the internet has seen.” Portal A, in San Francisco and Los Angeles, makes branded series and social-first content for YouTube and the platforms, with creative direction and talent partnerships built in, and has the Campaign US, Digiday and Streamy awards to show for it.

  • Best for: entertainment-style branded content and series for large consumer brands
  • What you get: brand content yes, ads no in the performance sense, social formats yes, media no
  • Pricing: not publicly stated
  • Clients they name: Lenovo, Google, Target, GM, LEGO, YouTube, Snapchat, Clorox
  • Review signal: no Clutch profile found
More on Portal A
Where it shines: platform-native formats and talent, the thing most film studios cannot do and most media agencies cannot make.
Where it falls short: no published price, no review platform presence, and a roster that skews to large consumer brands.

Not publicly stated: prices, headquarters and founding year on its own site.

6. Consume Media

Consume Media homepage screenshot

“Video skills powered by marketing brains.” Consume Media is an Atlanta studio of about sixteen people making cinematic brand video, animated explainers and testimonials for B2B software companies, and it is one of the few here that states a floor: projects “typically start at approximately $10,000.”

  • Best for: B2B software brands that want a cinematic brand video with go-to-market thinking attached
  • What you get: brand film yes, ads no, social no, media no
  • Pricing: projects from about $10,000 in its own words; per project, or a 6, 9 or 12-month retainer
  • Clients they name: Salesloft, Calendly, 6sense, Fullstory, Stack Overflow, CallRail, Mercedes-Benz Stadium, Newell Brands
  • Review signal: two Clutch reviews
More on Consume Media
Where it shines: a published starting price, a SaaS-heavy client list, and a retainer option for teams that need more than one film a year.
Where it falls short: two Clutch reviews is a thin record, and the older consumemedia.com address is no longer the company's site, so make sure you are on the hyphenated domain.

Not publicly stated: retainer prices.

7. Harmon Brothers

Harmon Brothers homepage screenshot

“At Harmon Brothers we create ads that brand and sell.” The Provo studio behind the Squatty Potty unicorn and the Purple raw-egg test makes long-form comedic video ads for direct-to-consumer brands and distributes them across social platforms, which puts it in the rare group that makes the film and runs it.

  • Best for: a direct-to-consumer launch that needs one big idea and the distribution behind it
  • What you get: brand-plus-direct-response film yes, ads yes, social no, media yes (social distribution)
  • Pricing: not publicly stated; Clutch minimum $50,000 to $199,999, the highest floor here
  • Clients they name: Squatty Potty, Purple, Lume, FiberFix, Chatbooks, Camp Chef, Poo-Pourri, Vivint
  • Review signal: 4.5 on Clutch from one review
More on Harmon Brothers
Where it shines: the most copied ad format of the last decade, made by the people who invented it, with distribution included.
Where it falls short: a six-figure entry point, an application form rather than a quote, one Clutch review, and a format built for products you can demonstrate, not for corporate brand films.

Not publicly stated: prices, terms.

8. Brafton

Brafton homepage screenshot

“Killer marketing data + in-house creative geniuses = high-quality content every time.” Brafton is a Boston content marketing agency, founded in 2008 with offices across the US, UK, Europe, Canada and Australia, that makes live and animated video inside a broader content retainer and distributes it through video SEO, social and video ads.

  • Best for: teams that want video inside a content marketing programme that also covers SEO and social
  • What you get: video yes, ads yes, social yes, media limited to video ads
  • Pricing: priced in units where “each unit represents $100 of marketing spend,” with no dollar totals; Clutch minimum $5,000 at $150 to $199 an hour
  • Clients they name: Preply, Clemens Food Group, Stanford, Lasko, AppDirect, Routledge, Genworth, AIG Travel Guard
  • Review signal: 4.9 on Clutch from 45 reviews
More on Brafton
Where it shines: video that arrives with the SEO and distribution plan already attached, and a 4.9 from 45 reviews.
Where it falls short: Clutch classes three quarters of its work as content marketing; video is a sub-line, and the unit pricing hides the total until you are in the sales process.

Not publicly stated: dollar totals per tier.

9. VaynerMedia

VaynerMedia homepage screenshot

“The Modern Agency of Record,” “driving relevance, with social at the center of everything we do.” VaynerMedia is the enterprise end of this list: creative and content production, strategy, media planning and buying, influencer and commerce from New York and nine other offices.

  • Best for: large brands that want social-first creative and the media behind it from one agency of record
  • What you get: film and content yes, ads yes, social yes, media yes
  • Pricing: not publicly stated; Clutch minimum $10,000 at $100 to $149 an hour
  • Clients they name: Bose, Coach, Diageo, Duracell, Indeed, PepsiCo, Tinder, Wingstop
  • Review signal: Clutch profile with zero reviews
More on VaynerMedia
Where it shines: the only company here that does all four columns at enterprise scale, with 250 to 999 staff per Clutch.
Where it falls short: no published entry point and no verified client reviews, which is unusual for a company this size.

Not publicly stated: prices, minimum engagement.

10. MuteSix

MuteSix homepage screenshot

“End-to-End Performance Marketing.” MuteSix, a Los Angeles agency that press coverage records as acquired by Dentsu in 2019, runs paid social, paid search, programmatic, retail media and connected TV, with creative production as an input to those campaigns rather than a standalone product.

  • Best for: direct-to-consumer brands that want performance creative made by the team buying the media
  • What you get: film no, ads yes, social paid only, media yes
  • Pricing: not publicly stated; a Clutch snippet reports engagements from $3,500 to $500,000
  • Clients they name: Twillory, Dave, Healthy Spot, Pinsy, GreenPan
  • Review signal: ten Clutch reviews; the rating was not visible outside the platform
More on MuteSix
Where it shines: creative and media in one loop, including retail media and CTV, backed by a holding-company network.
Where it falls short: a media-first agency; do not hire it for a brand film, and its own homepage does not mention the ownership.

Not publicly stated: prices, Clutch rating off-platform.

11. Power Digital

Power Digital homepage screenshot

“Power is a world-class, tech-enabled growth marketing agency” working “at the intersection of data, technology, and human intelligence to make profit predictable.” From San Diego, New York, Atlanta and Medellin it runs paid media, SEO, influencer, affiliate and conversion work, with creative and editing as a service line.

  • Best for: growth-stage consumer brands that want one media agency with creative editing attached
  • What you get: film no, ads yes, social paid and influencer, media yes
  • Pricing: not publicly stated; Clutch minimum $5,000 at $100 to $149 an hour
  • Clients they name: ASICS, Crocs, Alice + Olivia, Aviator Nation, Goldbelly, Graza, Taylor Guitars, O’Neill
  • Review signal: 66 Clutch reviews, cost rating 4.6; overall rating not visible off-platform
More on Power Digital
Where it shines: measurement and media across Amazon, TikTok, programmatic and social, with proprietary tooling it calls Omega and Iris.
Where it falls short: video production appears only as "editing" under creative; this is a growth-media shop, not a film crew.

Not publicly stated: prices.

12. Thrive Internet Marketing Agency

Thrive Internet Marketing Agency homepage screenshot

“Digital Marketing Agency driven by RELATIONSHIPS & RESULTS.” Thrive, in Arlington, Texas since 2005, is a full-service SEO and PPC agency that also produces brand, testimonial, product, explainer, event and drone video and advises on YouTube and TikTok distribution, on month-to-month contracts.

  • Best for: small and mid-sized businesses that want video from the same agency running their search and social
  • What you get: video yes, ads yes, social yes, media yes (search and social)
  • Pricing: not publicly stated; its video page quotes generic “$5,000 to $50,000 or more” industry ranges, and a Clutch snippet reports projects from $1,200 to more than $100,000
  • Clients they name: Qualis Roofing, TruckAC+, Restoration 1, PARC Urology, Accurate Leak and Line
  • Review signal: 109 Clutch reviews and a five-star badge on its own site; rating not visible off-platform
More on Thrive
Where it shines: month-to-month terms, a deep review base, and every channel under one roof for a local or regional business.
Where it falls short: video is one service among a dozen, the named clients are local SMBs, and Thrive also publishes its own "best video production companies" list with itself at number one, which is worth knowing when you read it.

Not publicly stated: prices.

13. Sociallyin

Sociallyin homepage screenshot

“The Social Media Agency With an In-House Studio.” Sociallyin, in Atlanta since 2011, shoots video, graphics and photography in its own studio and runs social strategy, management, paid social and influencer on retainer, project or consulting terms.

  • Best for: brands that want a steady stream of social video and the feeds managed by the people who shot it
  • What you get: social video yes, ads paid social, social yes, media paid social only
  • Pricing: not publicly stated; a Clutch snippet reports projects from $1,500 to $200,000
  • Clients they name: Samsung, Carnival, Hitachi, National Park Service, Angi, Blueground, Rush Enterprises, Emma Sleep
  • Review signal: 66 Clutch reviews; 29 of its 37 social-media reviews are five-star
More on Sociallyin
Where it shines: an in-house studio attached to a social agency is rarer than it sounds, and it removes the hand-off between maker and poster.
Where it falls short: the output lives on social; it is not built for a campaign with a TV or streaming budget.

Not publicly stated: prices.

14. The Social Shepherd

The Social Shepherd homepage screenshot

“Creatively playful, Commercially powerful.” The Social Shepherd, founded in 2018 with offices in London, Bath, New York and Miami, produces social-first video, design and animation and runs organic social, paid social and search, influencer and TikTok Shop for consumer brands.

  • Best for: consumer brands that want social-first video and the paid and creator programmes that run it
  • What you get: social video yes, ads yes, social yes, media paid social and search
  • Pricing: not publicly stated
  • Clients they name: UNIQLO, Arla, ASICS, Bark, Bio-Oil, Lavazza, Peninsula Hotels, Passenger
  • Review signal: Clutch listing with no reviews; Trustpilot 3.5 from four reviews, too few to mean much
More on The Social Shepherd
Where it shines: a consumer roster that includes UNIQLO and ASICS, and creators, commerce and content in one team.
Where it falls short: a UK headquarters and a thin public review record for a US buyer to check.

Not publicly stated: prices, minimums.

15. inBeat

inBeat homepage screenshot

“We grow brands through data-driven creative designed to perform & scale across channels.” inBeat, a Montreal agency founded in 2018, produces creator and UGC video, runs influencer programmes from nano to macro, and buys paid media on Meta, TikTok, Snapchat and Google for direct-to-consumer brands.

  • Best for: DTC brands that want UGC and creator video made and then run as paid ads
  • What you get: UGC video yes, ads yes, social influencer, media yes (paid social)
  • Pricing: not publicly stated
  • Clients they name: 7-Eleven, HelloFresh, Square, Bumble, Prose, Dr Squatch, New Balance, Disney
  • Review signal: nine Clutch reviews; 4.8 on Birdeye from 170
More on inBeat
Where it shines: creator video and the media behind it from one team, with a household-name DTC roster.
Where it falls short: no brand films, a Canadian headquarters, and only nine Clutch reviews.

Not publicly stated: prices, minimums.

16. Vidsy

Vidsy homepage screenshot

“The system powering creativity for the world’s biggest brands.” Vidsy, a London company founded in 2015, makes video ad creative at scale through a creator network and its own AI, plugged into Meta, TikTok, YouTube and Amazon Ads, sold as an enterprise platform with a managed service on top.

  • Best for: enterprise brands that need hundreds of platform-native video ad variants a year
  • What you get: film no, ads yes at volume, social no, media no (platform integrations, not buying)
  • Pricing: not publicly stated
  • Clients they name: Unilever, L’Oreal, PepsiCo, Sky, Mars, Chase, P&G, Amazon
  • Review signal: Clutch profile with no reviews
More on Vidsy
Where it shines: ad creative at a scale no studio can match, for the biggest consumer brands in the world.
Where it falls short: enterprise-only, ad units rather than brand films, no public pricing and no reviews to check.

Not publicly stated: prices, headquarters on its own site.

17. Shuttlerock

Shuttlerock homepage screenshot

“The creative development system for ambitious marketers.” Shuttlerock, founded in Nelson, New Zealand in 2011, produces short video ads for Meta and TikTok through studios, creators and generative AI on a monthly plan, and claims more than 100,000 briefs.

  • Best for: marketers who need a steady supply of six-to-thirty-second paid-social units from existing assets
  • What you get: film no, ads yes, social no, media no
  • Pricing: not on its site; third-party listings show Lite $6,000, Standard $8,000 and Premium $12,000 a month for roughly 10 to 30 assets
  • Clients they name: logos only, no names in text
  • Review signal: 4.8 on Software Advice from ten reviews; G2 profile with none
More on Shuttlerock
Where it shines: volume and platform-specific optimisation for short paid-social units.
Where it falls short: built for units, not storytelling; its about and pricing pages returned errors when I checked, and the prices exist only on third-party listings.

Not publicly stated: prices on its own site, named clients.

18. Videodeck

Videodeck homepage screenshot

“The video team behind the fastest growing tech brands.” Videodeck sells scripted B2B software video with in-house actors and sets on monthly plans, with a YouTube content plan included and distribution and UGC as add-ons, and it publishes every price.

  • Best for: B2B SaaS teams that want a predictable monthly volume of scripted product and YouTube video
  • What you get: scripted video yes, ads as an add-on, social UGC as an add-on, media as a distribution add-on
  • Pricing: Foundation $10,000 a month for four videos, Scale $18,400 for eight, Ultra $24,000 for twelve; one-off $5,000 a video; distribution $2,900, design $2,900 and UGC $6,500 a month as add-ons
  • Clients they name: Ahrefs, Apollo, Tettra, Foxit, Sematext, CloudZero, DailyBot, TeleportHQ
  • Review signal: no Clutch profile found
More on Videodeck
Where it shines: the most transparent pricing on this list, a five-to-ten-day turnaround, and a SaaS roster that includes Ahrefs and Apollo.
Where it falls short: a scripted, template-based format by design, a SaaS-only niche, and a headquarters it does not disclose.

Not publicly stated: headquarters, founding year, reviews.

19. Billo

Billo homepage screenshot

“Turn creator marketing into your most profitable growth channel.” Billo is a San Francisco marketplace, founded in December 2019, where brands order UGC video ads from more than 5,000 creators and test them, with paid amplification from creator handles; it is a platform, not an agency.

  • Best for: DTC brands that want many creator videos to test in paid social, without an account team
  • What you get: UGC video yes, ads yes, social no, media amplification only
  • Pricing: the pricing page redirects to a login; third-party guides cite from $99 a video and packages from $500
  • Clients they name: a “22,000+ brands” claim, no names
  • Review signal: about 4.5 on Trustpilot from more than 510 reviews; 4.2 on G2 from three
More on Billo
Where it shines: the deepest review base here and the lowest cost per video, with performance data attached to every creator.
Where it falls short: no strategist or director on your account, no brand films, and prices you cannot see until you log in.

Not publicly stated: prices on the public site, named customers.

20. LYFE Marketing

LYFE Marketing homepage screenshot

“Award-winning social media management company in 2026.” LYFE, in Atlanta since 2011, sells monthly social management plans that include vertical video posts on the upper tiers, plus paid social, PPC, email and SMS, all at published prices.

  • Best for: small businesses that want social management with short video included at a published monthly price
  • What you get: vertical video posts yes, ads yes, social yes, media paid social and PPC
  • Pricing: Good $750, Better $1,350 and Best $1,550 a month plus a $300 set-up fee; PPC plans $500 to $1,400 a month
  • Clients they name: Westmar Lofts, Private Label Extensions, Cardinal Group Management, H-Massage
  • Review signal: 156 Clutch reviews; read a sample of the recent ones before you sign
More on LYFE Marketing
Where it shines: every price on the page, and the lowest entry point on this list.
Where it falls short: small-business scope of 12 to 20 posts a month, no brand films, and a review record worth reading in full before you sign.

Not publicly stated: video volume per plan.

How I would choose a partner

I brief marketing video regularly, and the shortlist usually comes down to a few questions, the same ones in our guide to choosing a video marketing agency.

  • Name the job, not the category. A brand film, a run of paid-social ads and an always-on content stream are three different hires. The four columns above cut this list down fast.
  • Match the reel to your funnel stage. A gorgeous awareness film says nothing about whether a team can make a converting bottom-of-funnel ad. Ask to see work that did the same job you need done.
  • Read pricing as a signal. Published prices point to defined, repeatable output; quote-only points to bespoke work. Four of these nineteen publish a number, and they are the four with the most productised output.
  • Weigh frequency against craft. If you need video most weeks, a one-off film studio will exhaust your budget; if you need one flagship a year, a volume platform will leave you flat.
  • Decide who buys the media before you decide who makes the film. Only Colormatics, Harmon Brothers and VaynerMedia carry both. Everyone else needs a partner on the other side of that line, and the coordination is your cost.

For the ceiling of what marketing video can do, watch GoPro’s fireman clip. Raw helmet-camera footage of a kitten rescue, barely edited, and it arguably did more for the brand than a polished campaign that year, because the product itself was the storyteller. The best partners on this list start from that question: what story do you already own?

For the other half of the argument, YouTube’s own session with Kantar on why creative and media have to be planned together is the clearest case I know for deciding who buys the media before you decide who makes the film.

Mistakes I see buyers make

  1. Buying a category instead of a job. “We need video marketing” is not a brief. The studios that win awards for brand films are rarely the ones who make paid social convert, so decide which outcome you are paying for.
  2. Judging on the flagship reel. A company’s showpiece is its best day, not its average one. Ask for work at your budget and your funnel stage, not the case study everyone leads with.
  3. Commissioning the film before the distribution plan. A single hero video with nowhere to run underperforms a handful of cutdowns built for the channels you actually use. Plan the placement first, and if you need the mechanics of that, our guide to video advertising companies covers the media side.
  4. Ignoring the cost of everything after the edit. Versions, localisations, captions and revision rounds are where marketing-video budgets balloon. Ask what those add before you sign anything; our breakdown of video production cost lists the usual line items.

The whole market in one table

CompanyWhat you getModelPublished price or minimumReview signal
MoonbFilm, ads, social versionsDedicated teamSet monthly rate or per-project quote4.9 Clutch
StoryfarmBrand film, strategyPer projectNot published5.0 Clutch (19)
ColormaticsFilm, ads, media placementPer project plus mediaNot published4.9 Clutch (41)
Early Light MediaBrand filmPer projectNot published23 Clutch reviews
Portal ABranded content, social formatsPer campaignNot publishedNo profile
Consume MediaBrand film, explainersProject or retainerFrom about $10,0002 Clutch reviews
Harmon BrothersFilm, ads, distributionPer campaignMin $50,000 (Clutch)4.5 Clutch (1)
BraftonVideo, SEO, social, video adsRetainer, units$100 units; min $5,0004.9 Clutch (45)
VaynerMediaFilm, ads, social, mediaAgency of recordMin $10,000 (Clutch)0 Clutch reviews
MuteSixAds, mediaManaged serviceNot published10 Clutch reviews
Power DigitalAds, influencer, mediaRetainerMin $5,000 (Clutch)66 Clutch reviews
ThriveVideo, ads, social, searchMonth to monthNot published109 Clutch reviews
SociallyinSocial video, feeds, paid socialRetainer or projectNot published66 Clutch reviews
The Social ShepherdSocial video, paid, creatorsRetainerNot published3.5 Trustpilot (4)
inBeatUGC, influencer, paid socialRetainerNot published4.8 Birdeye (170)
VidsyAd creative at scalePlatform plus managedNot published0 Clutch reviews
ShuttlerockPaid-social unitsMonthly plan$6,000 to $12,000 (third party)4.8 Software Advice (10)
VideodeckScripted B2B video, add-onsMonthly plan$10,000 to $24,000 a monthNo profile
BilloUGC adsMarketplaceFrom $99 a video (third party)4.5 Trustpilot (510+)
LYFE MarketingSocial feeds with short videoMonthly plan$750 to $1,550 a month156 Clutch reviews
Related services
Educational Video ProductionEcommerce Video ProductionFintech Video Production
See more from Moonb in your Google results

Frequently asked questions

A production company makes the film and hands you a master. A video marketing company treats video as an input to campaigns: it makes or sources the creative, then runs the paid social, search, creator or media programme around it. On this list the studios such as Storyfarm and Early Light are production companies, the agencies such as VaynerMedia, MuteSix and inBeat are marketing companies, and only a few do both.

Most do not publish a price. The ones that do run from $750 a month for a small-business social plan with short video, through about $2,400 per minute of animation, to $10,000 to $24,000 a month for a scripted B2B video plan, and a single brand film usually starts around $10,000. Clutch minimums for the rest run from $5,000 to a six-figure floor for a viral-ad specialist.

It removes a hand-off, but very few companies do both well. Colormatics, Harmon Brothers and VaynerMedia carry both on this list; everyone else is either a studio that stops at the master or a media shop that treats creative as an input. If you split the work, agree the formats, lengths and cutdowns with the media side before the studio shoots a frame.

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