Commercial Video Production

A simple local spot runs $1,500 to $10,000, a professionally produced mid-range spot $10,000 to $50,000, and a national broadcast spot $50,000 to $250,000, with crew size, talent and finishing moving the number. A dedicated Moonb team makes the spot and every cutdown at one set monthly rate, or on a per-project quote for a single campaign.

No. A single commercial is quoted per project. The monthly model fits brands that need a run of spots, cutdowns and campaign variants through the year, because the same team carries the idea from the hero spot to the six-second bumper.

Concept and script, storyboards, the animation or the edit of the shot footage, motion graphics, sound and music licensing guidance, broadcast-spec finishing, and the digital cutdowns for every placement in the media plan. Revisions are included until it is right.

Yes. The team builds each commercial so it can be adapted later. The visuals, the voiceover, the text overlays, and the cultural references can all be swapped for a different demographic, region, or language, while the core animation stays put instead of getting rebuilt from nothing.

Sound is part of the work from the start, not something added at the end. The team chooses or composes music that carries the emotional arc, and uses effects to land the key moments. Then the mix gets tuned for wherever the spot plays, from a set of TV speakers to earbuds on a phone.

Yes. The team builds a campaign where the spots share a visual language, a set of characters, or a running story, and each one still lands its own message. Recognition builds as people see more of them, and every spot sets up the next.

The team studies the other creative running in your category, finds the visual and story patterns everyone keeps repeating, and then breaks them on purpose. The commercials people actually remember are the ones that go against what the audience expects to see. Your Creative Director knows what viewers in your space have been trained to look for, and works against it.

Animation puts every element on screen under your control, without the constraints of a physical shoot. You can show an abstract idea, build a scene that could never be filmed, and hold the brand exactly consistent every time. It also makes later updates and seasonal versions quick, since the team edits the assets that already exist instead of starting over.

Yes. The team delivers a broadcast-spec version that meets the technical requirements (resolution, color space, audio levels), along with digital cuts made for streaming, social, and programmatic. Each version is cut for the channel it runs on, rather than exported once and pushed out everywhere the same way.

Your Creative Director starts from your campaign goals, your audience, and the one message that has to get through. The team comes back with a few directions, each with its own hook, look, and angle. You choose the one that fits before anything goes into production, so nothing in the final cut catches you off guard.

A commercial is made for paid media, so it has to catch attention, land a message, and push the viewer to act inside a tight window, usually fifteen to sixty seconds. A standard marketing video can run longer and lean educational. A commercial cannot, which is why it needs tighter scripting, harder pacing, and a hook that works in the first two seconds.