Motion Graphics
You get a dedicated motion team that already knows your brand and animates whatever you need, week after week. Ads, social, product demos, brand idents, all built to make people stop and watch. Real animators making deliberate choices, not templates doing the easy thing.
See our approach
What we produce
Motion built for every channel, from one team that already knows your brand.
Social motion
Animated posts and reels sized for every feed, built to stop the thumb in the first second.
Motion ads
Paid ads for social and YouTube, delivered in multiple lengths and ratios so you can test the hook and the offer without a reshoot.
Product motion
UI and screen animation that shows your product actually working, not static screens with arrows pointing at them.
Brand and logo animation
Idents and logo builds that make you recognizable in the first seconds and stay consistent across every video after.
Animated explainers
Dense ideas turned into sequences a viewer follows in one pass, no pausing, no scrubbing back.
Titles and captions
Kinetic type, lower thirds, and burned-in captions that keep longer videos readable on mute and on-brand throughout.
And plenty more. If it moves on screen, we animate it.
Anyone can animate one clip. We keep every clip on-brand.
The first piece always looks fine. Things drift around the tenth, when the easing gets snappier here, the type sits differently there, and the pacing wanders because a different person built each one. A dedicated team holds one motion language across everything, and one Creative Director signs off before anything ships.
Decorative motion gets scrolled past.
Plenty of motion exists just to look busy. Things slide and spin because the software makes it a two-click job, not because the movement helps anyone understand anything. That reads as noise, and people scroll past noise.
Good motion earns every move. A number counts up because the number is the point. A line draws because it shows a sequence in order. When the animation carries the meaning instead of dressing it up, people watch to the end.
Your motion team, already up to speed.
You never re-explain your brand. The animators know your fonts, colors, pace, and how your product actually works, so a request becomes finished frames fast. You send the idea, they animate it, and the Creative Director checks it against your standard before it reaches you. What arrives in your inbox is on-brand and ready to post, not a first draft to fix.
Why motion is the sharpest tool in the kit
A static post gets a glance. Motion holds the eye for the full read, walks a viewer through an idea in order, and carries brand voice in how things move, not just how they look. That is why the assets teams request most, once they have a motion team on call, are the ones that move.
The motion graphics we build
From logo stings to full explainers, animated by the team that knows your brand.
- Explainer and product animation
- Logo stings and reveals
- Animated social cuts
- Title sequences and openers
- Data and chart animation
- Lower thirds and caption systems
- Event and booth loops
- Animated ad variations
Designed to move with intent
Easing, timing, and rhythm carry meaning the same way type does. We animate with intention: every movement has a reason, every hold earns its beat. Motion that moves for the sake of moving is just noise with a render time.
Every movement has a reason.
How it works
From signup to first delivery in under 2 days.
Meet your team
You get a Creative Director and a team who learn your brand, your files, and how you like to work.
About 30 minutesSend the work
Brief them like colleagues. Your Creative Director runs the queue and keeps everything on-brand.
As much as you needGet it back fast
Polished work comes back on a steady weekly rhythm, revisions included until it is right.
No change-order feesMy team really enjoyed working with Moonb and found the experience seamless.
Ready to start your motion design project?
Book a CallFrequently Asked Questions
A rough idea and whatever brand assets you have: logo files, fonts, colors, past work. A script or storyboard helps, but if you don't have one, we build it with you before anyone opens After Effects. The clearer the idea going in, the fewer rounds coming out.
Yes. Project files, compositions, and exports are all yours. Move the work in-house or hand it to someone new whenever you want, and you get the layered originals, not a flattened video you can't touch.
A short social animation is usually a few days. A longer explainer or a full brand ident runs a couple of weeks, depending on the script and how many rounds you want. Because we already know your brand, there's no ramp-up to pay for.
We match yours. We work inside your guidelines and build a motion language that extends them. No motion guidelines yet? We write them with you, so the easing, timing, and type behave the same way in every video from then on.
Whatever the placement needs. Vertical for stories and reels, square for the feed, wide for YouTube and site headers. One concept usually ships in several cuts and ratios so you can run it everywhere, plus captioned versions for silent-autoplay feeds.
You review at the rough stage first, before anyone spends hours on polish. That's where you catch the pacing and the message, while a change still costs almost nothing. Detailed notes come once the structure is locked. Getting the big decisions early keeps the whole thing from ballooning into endless small tweaks.
Yes. Sound design, mixing, and music are part of the work, so your motion comes back finished instead of silent. Tell us the mood and we build the audio to match the cut.
Ready to level up your creative?
Tell us what you're working on and we'll take it from there.
Book a Call
