Advertising Video Production

A simple local spot runs $1,500 to $10,000, a professionally produced mid-range spot $10,000 to $50,000, and a national broadcast spot $50,000 to $250,000, with crew size, talent and finishing moving the number. A dedicated Moonb team makes the spot and every cutdown at one set monthly rate, or on a per-project quote for a single campaign.

The first two seconds have to stop the scroll. Depending on the ad that is a sudden movement, a strong visual, a blunt question, or a hard color contrast, whatever makes a thumb pause. Just as important, the main point goes at the very start, so the people who drop off after a second or two still leave with the one thing you needed them to hear.

Yes. Your team plans a production for both paid and organic from the outset instead of adapting it after the fact. One concept can become the paid placements, organic social posts, a hero clip on the site, and video for email. Because it is built in modular pieces, each cut ends up feeling native to wherever it runs rather than an obvious repurpose.

Your Creative Director starts from what the campaign needs to do, who it is aimed at, and what your competitors are already running. The team comes back with a few distinct directions, each with its own hook, look, and angle. You choose the one that fits your goals before anyone starts producing, so the campaign is built on a decision you made, not on whatever came out of production first.

Most of the team's work is animation and motion graphics, and for advertising that buys you a lot. You get tighter control and faster changes, with no shoot, location, or crew to schedule around. You can show things that would be impractical or impossible to film, and you can keep adjusting any element until it is right, which matters when you are cutting a dozen variations.

Your team can turn changes around quickly because we already hold every source file, brand asset, and piece of product context, so nothing starts from zero. The moment your media team sees a hook or a visual approach pulling ahead, the creative team builds new variations that lean harder into whatever is driving the result.

For high-consideration purchases, your team builds the ads as a sequence that walks a prospect from first awareness through learning to a decision. Early ads name the problem and introduce the brand. Middle ads show what the product does and back it with proof from other customers. The final ads ask for the action directly, with a reason to move now and a clear next step.

As many as your testing needs, and it is routine rather than a special request. The team makes several versions of an ad that change one thing at a time: the hook, the call to action, the pacing, the color treatment, or the voiceover. That gives your media buyers enough real variation to test and optimize, without a separate production cycle for every version.

Your team cuts a separate version for each platform from the start. A YouTube pre-roll needs different pacing and a different opening than a TikTok ad or a LinkedIn sponsored video, so trimming one master file to fit everywhere leaves all of them slightly wrong. Instead you get a distinct edit per platform, matched to its aspect ratio, its algorithm, and the way people actually watch there.