Video Series Production
A dedicated creative team that runs your video series across the year: the industry explainers, the customer stories, the leadership updates, and the training people actually finish. We set the look and the format once, then keep the episodes shipping on a schedule.
See our approach
What we produce
Everything your team needs, from one dedicated team.
Industry education series
Multi-episode runs that break a complicated topic down piece by piece, so buyers come to you when they want to understand your category.
Customer success stories
Real customers telling their own story on camera, one per episode, so the proof stacks up over a season instead of sitting in a single case study.
Behind the scenes
A look at how the work actually gets made and who makes it, which puts a face to the brand and gives people a reason to keep watching.
Leadership updates
A standing slot for your executives to talk to staff or the market directly, on a cadence people can count on.
Department spotlights
Each episode turns the camera on a different team, which helps with hiring and shows what the culture is really like from the inside.
Ongoing training
Training built as a course rather than one long video, released in steps so people can learn at a pace that sticks.
And much more. If it's video for your business, we produce it.
Most series die because episode three never gets made.
When every episode is quoted and scheduled on its own, the series stalls somewhere around the third one and never picks back up. You get a dedicated team instead, at one predictable monthly rate, running the whole season. We set the format once, learn what your audience responds to, and get faster with each episode because we are not rebuilding the thing from scratch every time.
Why most video series stop getting watched
Most branded series get greenlit, shot, posted, and forgotten inside a single quarter. A few episodes go up, the numbers come in flat, and the whole thing quietly gets shelved. The series that actually build an audience get made another way.
They come from us. We have been running the series long enough to know what lands. By the third or fourth episode we have read the comments, seen which topics pull people back, and adjusted the format around it. The first episode is almost never the one that works. The fifth one is.
How we make a video series
We start by working out the concept and a visual style that can carry a whole season rather than one video. Then we stage the production so the episodes overlap: while one is being animated, the next is at style frames and the one after that is still at the storyboard. That overlap keeps the release on schedule without rushing any single episode, and it means there is always a next one close to ready.
What a running series gives you
A series lets you tailor each video to a different stage of the buying cycle instead of asking one video to do everything, which is where the impact comes from. Targeted episodes tend to perform and engage better than a general one. A consistent style across all of them makes the brand easier to recognize. And running themes or recurring characters give people something to follow, which builds a stronger connection over time.
What a video series episode costs
These are the ranges we see quoted in 2026 for one-off a video series episode, what a production company charges per project. A dedicated Moonb team covers the same work at one set monthly rate, or on a per-project quote when a single piece is all you need, so you can plan a year of video or just the next one.
| Format | Typical project quote | What moves the number |
|---|---|---|
| Talking head or interview | $1,000 to $3,000 | location, number of speakers, graphics |
| Social short-form | $500 to $2,000 | number of cuts and formats |
| Motion graphics | $1,000 to $5,000 | design density, runtime |
| Event recap | $1,500 to $5,000 | days on site, turnaround |
| Dedicated Moonb team | one set monthly rate, or a per-project quote | the same team every week, a Creative Director included, revisions until it is right |
The full breakdown, line by line, is in our guide to what video production costs.
Why a series is worth building
A series can do a lot for how visible your brand is and how much people engage with it. More than half of consumers say they want more video from the brands they follow, and an ongoing story is what keeps them coming back for it. Cutting each video to fit a specific stage of the buying journey converts better than a single catch-all piece, and keeping the branding consistent across every episode makes your identity stick.
- Industry education series
- Customer success stories
- Behind the scenes
- Leadership updates
- Department spotlights
- Ongoing training
How we measure whether a series is working
We track the engagement that tells you whether people are actually watching: views, yes, but also likes and comments, episode by episode.
Comparing those numbers against your other content on the same channels is what tells you whether the series is landing.
How it works
From signup to first delivery in under 2 days.
Meet your team
You get a Creative Director and specialists who learn your brand, your assets, and how you work.
About 30 minutesSend the work
Brief them like colleagues. Your Creative Director runs the queue and keeps everything on-brand.
As much as you needGet it back fast
Polished work comes back on a steady weekly rhythm, revisions included until it is right.
No change-order feesMy team really enjoyed working with Moonb and found the experience pretty seamless.
Ready to start your video series?
Book a CallFrequently Asked Questions
Quoted per project, talking head or interview usually runs $1,000 to $3,000, social short-form $500 to $2,000, and motion graphics $1,000 to $5,000, with location, number of speakers, graphics moving the number. A dedicated Moonb team covers the same work at one set monthly rate, or on a per-project quote when a single piece is all you need.
A standalone video gets watched once and forgotten. A series builds on itself. Each episode reinforces the brand and gives people a reason to come back for the next one, and after a while your brand becomes the place people in your category go when they want something worth their time.
Your Creative Director maps the full arc before anything gets shot: what each episode covers, how the topics build on each other, and where the high points fall. Then the release cadence gets set against how your audience actually watches and against your own marketing calendar, so each episode goes out when it can do the most.
Yes. Leadership updates, department spotlights, ongoing training programs: internal series work on the same principles as anything external. A consistent format and a regular cadence get people into the habit of watching, which turns internal video into a channel you can actually count on to reach staff.
The series bible does that work. At the start it locks the visual template, motion graphics package, music bed, color palette, and editorial tone, and every episode is built against it. The topics change from one episode to the next; the look and the sound stay the same.
The ones that sit where your expertise meets something your audience genuinely cares about. Industry trends, customer success stories, educational deep dives, behind the scenes footage: any of those can carry a series. The test is depth and relevance. You want a topic with enough in it to fill multiple episodes and enough pull to bring people back for each one.
Yes. Every episode throws off a stack of other assets: social clips, audiograms, quote graphics, blog summaries, email content. We plan for that while the episode is still in production and build the pieces to come apart cleanly, so one shoot keeps feeding the rest of your content for weeks.
Every series is built around a single narrative or theme, so there is always a reason to come back for the next one. A consistent format, visual cues people start to recognize, and a preview of what is coming next all help. And each episode still stands on its own, so someone who finds you at episode four is not lost.
Six to twelve episodes in a first season works for most. That is enough to build some momentum and settle on a format, without committing to a long run before you have seen any results. Your Creative Director sets the exact arc and cadence around your goals and how your audience behaves.
Ready to level up your creative?
Tell us what you're working on and we'll take it from there.
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